TALIM’s Magical Microfilm Machine
Thanks to multiple acts of kindness, TALIM now has a tool to allow research into more than two centuries of American diplomacy in Morocco.
Thanks to multiple acts of kindness, TALIM now has a tool to allow research into more than two centuries of American diplomacy in Morocco.
Ayla Amon, concluding her museum management internship at TALIM, has not shied away from dirty work, and has made lasting contributions.
Man in bicorne hat, in the days when Tangier’s “diplomatists” would go pig-sticking in the “Diplomatic Forest.”
Paul Bowles literary and musical legacy continues to inspire the production of cultural radio documentaries throughout the world, especially in Europe.
The Tangier American Legation – the only remaining witness to earliest days of American diplomacy in the Arab world – urgently needs restoration.
American architect Cloe Erickson works to save Morocco’s vanishing rural heritage, often hidden in the high valleys of the Atlas Mountains.
TALIM’s collection of digitized glass negatives provides rare glimpses of life in Tangier in the late 19th and early 20th centuries, and here “Club Elixir” has metamorphosed into a lively – non-alcoholic – square.
Vanessa Paloma sings, writes, and lives for the music of her Sephardic forebears who left Morocco for the New World. Now she’s back in Morocco, one of the preeminent scholars – and performers – of Morocco’s Jewish musical heritage.
James McBey’s “Zohra” has been called the Moroccan Mona Lisa, but in the 1950s, she was a young teen posing in Tangier, and friends with the children of Marguerite McBey’s American family.
An invaluable collection of late 19th and early 20th century glass negatives was partially scanned at the Tangier American Legation.